Aesthetic of Tradition; Aethetic of the Banana Generation
‘As far as we can discern, the sole purpose of existence is to kindle a light in the darkness of being’ , Carl Jung once said.
A site-specific performative installation from July07 to Jan08 on display at Maiz Schaufenster Linz, comissioned by 'Identität Heute...' , funded and supported by Maiz, ukk, LinzKultur, KulturLandOÖ.
-Installation by Delphine Kini Mae
-Video choreographed and shot by Delphine Kini Mae,
Performed by Ingo Keil and Delphine Kini Mae
Special Post-Effect by Tobias Hammerle
Below are some basic concepts I was working with concerning this installation:
1) Formalistic Elements:
The idea here is to make use of the traditional icons such as a Chinese dress Chi-Pao and altar objects, which are commonly seen in everyday Chinese households. In this way of representation, I also pose questions to viewers of how to represent cultural objects. Furthermore, how traditional cultural icons and new western-influenced visual contents can be seen.
It is precisely because I am dealing with such complex codes of the old and the new with their signifiers and underlying meanings, that this time I chose a almost too-simplistic, formalistic means of representative way unlike my other works.
2) Questions of culture: Present and Future, Is it Ever Linear?
Through my work, I want to ask questions like: What does diversity really mean? What does ‘trans-cultural’, ‘trans-global’ underline and define? Can we really identify Asia as a whole homogenized culture bracket? Can National identities such as China or being Chinese as one?
Lastly:
I belong to the so-called ‘banana generation’
A term used in the west coast of America which means an-Asian-born-raised-in-a-western-society. The name stems from the appearance of bananas: its skin (outside) is yellow, but when you peel it (inside) it is white.
Review:"Identival der Pflaster", by KUPF Kulturplattform OOE Austria
http://www.kupf.at/node/1696
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